MusicRadar names KRK ROKIT G4 the #1 Best Studio Monitor Speaker in the World Today

Music Radar ROKIT #1We created the ROKIT G4 (Generation 4) monitors specifically for modern music creators.  They were meticulously re-engineered to work in any environment from professional studios, to home studios, to hotel rooms, dorm rooms, and everywhere in between.  We partnered with some of the most trusted industry ears and put them up against every single monitor on the market in their price class.  We went back to the drawing board many times until we were satisfied that our customers would have the best music creation tool possible.

We are thankful that our work on the ROKIT G4 series has been recognized by these great industry resources:

 

music-radarMUSIC RADAR

ROKIT G4 – 7″ (#1 Best Studio Monitor Speaker in the World Today):

https://www.musicradar.com/news/the-best-studio-monitor-speakers-in-the-world-today

“For starters, the G4 range is among the first monitor series at this price bracket to include a graphic EQ function on the speaker itself. In-built digital signal processing (DSP) offers a suite of tools, including a room analyser, to ensure the speakers’ output compensates the space you’re mixing in for any dead-zones or sonic blind spots you may be unwittingly harbouring.”

MUSIC REPO 2MUSIC REPO

https://www.musicrepo.com/best-studio-monitors/

“ROKIT G4 are well reviewed, and probably the most recommended monitors at this price point – with the new features that place them well ahead of their rivals.”

Consordini-logoCONSORDINI

ROKIT G4 – 5”   (#1 All-around Best Budget Monitor)

https://consordini.com/best-budget-studio-monitors-under-200/#krk-rokit-5-g4

“ROKIT G4 sound amazing and we would recommend them to producers of any skill level, whether you are an entry-level producer or a pro.”

 

 

More great reviews:

Performer 2PERFORMER MAGAZINE:  https://bit.ly/2JEquo5

“The other big addition to the new line, and the reason the slight bump in price is worth it, is the addition of brand new DSP and a new rear-mounted screen that allows you to tune the monitors to your room, adjust EQ curves and eliminate problems with acoustics based upon your space.

Overall, the new ROKIT G4s will likely become the new standard in home studio setups, so don’t be surprised if your Insta-feed is soon flooded with yellow speakers and unboxing videos.”

recordingRECORDING MAGAZINE:  https://bit.ly/347yNSJ

“The ROKIT 5 G4 is a fantastic improvement on the well-respected ROKIT theme in every way, and proof that great-sounding small monitors do not have to break the bank.”

 

mixMIX MAGAZINE:  https://www.mixonline.com/technology/krk-rokit-g4-monitors

“Accurate and consistent sound quality; good value for the money; DSP-based EQ offers plenty of room-tuning options; tight-sounding bass; Rokit 5 G4 offers good bass response for its size; Encoder/LCD interface allows for precise L/R matching; acoustic pads on bottom help with decoupling.”

 

sosSOUND ON SOUND:  https://www.soundonsound.com/reviews/krk-rokit-7-g4

“These speakers come across as detailed but smooth-sounding with clean mids and a bass end that is tighter than you might expect from a small ported speaker.”

 

 

READ MORE INFORMATION ON ROKIT G4

The Mindset of Music Creation with KRK User 1$T: The Tokyo Project

We take KRK’s brand statement “Behind Great Music” seriously on all fronts.  It means everything we do from manufacturing to supporting artists is all about enabling musicians to have the freedom to create and deliver the best projects possible.  This month, we are excited and honored to put the spotlight onto one of the most imaginative modern music creators out there, 1$T (a.k.a. Fki 1st) who has recently released the album “Tokyo Project.”  1$T has always used KRK gear to deliver his definitive sound and style to the masses, some including “Watch Out” — 2 Chainz, “Work” — Iggy Azalea, “Notice Me” — Migos feat. Post Malone, “Weekend” — Mac Miller feat. Miguel, “The Meaning” – Fki 1st & Post Malone, and the 5x Platinum Single “White Iverson” – Post Malone, to name just a few.  We were excited and thankful to spend some time with 1$T to find out how his new project came together.

1$T is originally from Atlanta and has now transplanted to Los Angeles where he spends a good amount of time in his multi-room studio facility.  In that studio is where he feels most comfortable and “communicates” through his genre-less and melodic music KRK Behind Great Music 1$T Fki 1st 2creations.  In those creations and at his core, lives the influences of artists such as George Clinton, and iconic Atlanta producer-artists Zaytoven, T.I., Shawty Redd and Young Jeezy to name a few.  Known for his left-of-Trap style of music and production, 1$T got his feet wet in production initially through a friend who one summer introduced him to beat-making on computers.  As music-fate would have it, from there his determination, innate skill set and easy-going demeaner all worked together to put him in a room with Post Malone where the 5 x Platinum song “White Iverson” was created.

Maybe one of the reasons why 1$T has been so successful with his collaborations is because there’s not a single rule or protocol in place when he approaches a new song or track.  1$T told us, usually the only common thread throughout his creative process is centering everything around the song title — ”the name.”  “The title of the song is like a movie—it’s like a living person—if you give it a name that’s the beginning right there.” 1$T went on to tell us, “I have a list of names and titles in my phone, this is everything to me.  When you base your creative process around a title it helps you see everything through.”  From there 1$T lets everything go with the flow and sometimes tracks will initially support the name/title through a keyboard melody, drums or anything else that flows into his open mind in the studio.

Tokyo Project Background

KRK Fki 1st 1$T - 21$T is one of the few and new modern music creators who has found success toggling back and forth from wearing the “producer” hat to the “artist” hat.  2016 he found himself on a sold out tour with Fetty Wap and Post Malone supporting the Welcome to the Zoo Tour.  On that tour the bus was fitted with a working studio where he was able to continue working on his own music throughout the tour.  This past year, 1$T got back into that artist mindset where he and his Good Gas Crew headed over to Japan on an inspirational trip where they worked on the music for the release.

The full album which was completely produced and written by 1$T, features 8 songs and 8 videos outlining the spiritual and cultural journey across the world to Tokyo.  This jaunt was also documented on best understood by this video creatively rendered as a visual mixtape.  While in Japan 1$T also began working on his forthcoming Good Gas Tokyo installment recording alongside Young Coco, KOHH, and many more producers and artists.

KRK Fki 1st 1$T -3

The Making of Tokyo Project

KRK: From a writing standpoint, do you usually start with building a beat, or are you “composing” with specific lyric and melody ideas?

KRK Fki 1st 1$T -41$T: I start with title of the song and then melody, then lyrics, and then add the drums last. For example on the Tokyo Project – I was in the studio one day and I wanted to make something smooth, I was on a really smooth vibe, real cool vibe, could have been the gas or something, but I needed a word something to describe it – VELVET described it. Then from there the melody came, then I wrote all the words, then I added the drums. 

KRK: What was your vocal chain for recording vocals on The Tokyo Project?

1$T: Whenever I record, I always use the U87 mic into the SSL super analog channel – that’s the compressor and preamp all in one, and we record everything in Pro Tools.

KRK: Where do you get your “sounds” from?

krk-241$T: When I can, I like to create my own samples – whether it’s an old song I made or old loop I made—I like to sample my own stuff, even if it’s a song I just made yesterday. I like to go through my catalog and make stuff sound different, update it. 

On the song Pass it to Myself, the female vocal sample was actually from a session from 3 years ago with an artist. I like to keep my iTunes on shuffle and whatever hits my ear I sample it, so that song popped up. I pitched up the whole song with her old vocals and made it into a completely new song and now it sounds like a vintage sample.

Also, I always stay consistent with the 808 – I might stretch it or add distortion but I always use the same 808. 

KRK: In a bit of detail, what are you currently working on during the Coronavirus health crisis?

1$T: I‘m quarantining in the desert so I’m creating a whole new project out here. But I’m also fine-tuning my next project that’s coming out soon called MCM aka Magic City Markous. We definitely always have more Good Gas releases coming up. We are about to drop a Good Gas song with S3nsi Molly and also working on Good Gas Vol. 4.

 KRK: What are you currently using for KRK gear?

1$T: The vibe of the ROKITs for creating music is essential to me.  I actually have 3 sets of the KRKs and I use them all in different ways.  I can’t live without the KRK ROKIT 10-3 for monitoring.  The KRK V Series is what I mix on along with the krk 12” sub.  That combo is magic and the KRK 12sHO sub is the best sub ever.

More Information:

IG: @goodjob1st

FB: @Fki1st

TW: @fkimusic

KRK V Series

KRK ROKIT G4

KRK 12sHO Subwoofer

2020 WINNER ANNOUNCED: KRK GUITAR SOLO CONTEST AT NAMM

IMG_2811If you’re a fan of musical gear you’ve surely heard of the NAMM show in Anaheim California.  If you’ve never been, it’s an overwhelming bliss of musical stimuli that opens your eyes wider at every juncture.  As a musician, it’s where you go to see the newest—greatest—latest—bestest-of-the-best gear that will soon hit the market in the upcoming year, but it’s also where you go to meet like-minded musicians who all share the same passion of music creation and performance.

In that spirit, this year KRK came up with light-hearted idea to hold the 1st Annual KRKIMG_2802 Guitar Solo Contest at NAMM in conjunction with Gibson and Epiphone.   Each day, 12 fearless battle-axing warriors had 15 minutes to get acclimated to a short piece of music before recording one live take of their solo performance through ROKIT G4 10-3 monitors in front of NAMM-goers.  Word of the contest spread quickly as each daily winner took home a new pair of ROKIT G4 RP5 White Noise monitors and a set of KNS8400 Headphones.  Each daily winner then went on to a final post-Namm round where a panel of judges from Loudwire ranked each solo anonymously based on four criteria to determine a grand prize winner who was awarded an Epiphone Uptown Kat ES guitar.

Epiphone Uptown Kat

We at KRK thank all the great musicians who participated this year and look forward to seeing them again next year.  Without further ado, congratulations to the following daily winners and Grand Prize winner:

DAY 1:  Lemek Yisrael (Louisianna)

DAY 2: Michael Lis (California)

DAY 3: David Aizuss (Oragon)

DAY 4: Scott Lomaglio (California)

CONGRATULATIONS TO THE FINAL GRAND PRIZE WINNER OF THE EPIPHONE UPTOWN KAT ES GUITAR:

LEMEK YISRAEL

Lemek 3

WINNER PROFILE:

Lemek is a young accomplished guitar player from Louisiana who first picked up the guitar when he was 5 years old.  He is a diverse player with a wide array of influences some including Charlie Parra, Syu (Galneryus), Stevie Ray Vaughan, and above all his dad Quintin Gerard W who is an amazing jazz saxophonist.  He grew up at a young age listening to a lot of funk and R&B, but as he got older, he started listening to a lot more technical music such as prog-metal, power metal, jazz fusion, and even classical.  Some of his favorite modern artists are Billie Eilish, Post Malone, and Zedd.

Lemek lives in New Orleans and has played with many bands and has had many performances in the city.  At the moment, he’s currently a solo artist and in the process of working on his debut album that will be released later this year (hopefully the new ROKIT G4 and Epiphone guitar will help that cause 😉).

Lemek’s goals are to continue making music and hopefully one-day compose music for video games or movies.  “I get awestruck when I listen to my favorite movie themes or soundtracks and they inspire me to write more and continue coming up with new creative ideas.”

Click here for information on the new KRK ROKIT G4 10-3 Studio Monitors

For more information on Lemek Yisrael, please visit

Instagram: lemekyisraelguitar

Facebook: Lemek Yisrael

YouTube: Lemek Yisrael

Twitter: @LemekYisrael

 

 

First Annual Gibson Brands KRK Guitar Solo Contest at Namm 2020

Share your sound with Gibson, Epiphone and KRK at the 2020 NAMM Convention to win KRK Monitors, Headphones and an Epiphone Uptown Kat ES guitar

Gibson Epiphone KRK Guitar Solo Namm 2

KRK Systems, the leading manufacturer of home and professional studio monitors for recording and mixing, together with Epiphone and parent company, Gibson Brands, will be hosting its First Annual NAMM Guitar Solo Contest at the Gibson booth (300A) during NAMM 2020. Contestants can sign up daily at the KRK section of the Gibson booth from 10 a.m. to 12 p.m.

From the sign-up, ten contestants will be selected on a first-come, first-served basis, and two contestants will be selected randomly, all to perform between 12 p.m. and 3 p.m. each day. During the performances, each contestant will have 15 minutes to prepare and compete. This includes selecting their guitar and digital amp tone, taking two practice runs over the simple 30-second music composition, and finally performing live in front of NAMM-goers through a pair of KRK ROKIT G4 10-3 three-way monitors on the third and final take. All final takes will be recorded live on-site.

ETUESBMNH1_frontEach day, after the final 12 daily performances, the recordings will be judged on specific criteria (Creativity, Originality, Accuracy, and Technique) by a panel of Gibson employees and endorsed artists. One winner per day will receive a pair of KRK ROKIT G4 studio monitors, KRK KNS Headphones and other Gibson and Epiphone swag. Winners will be announced daily at 4:30 p.m. at the KRK booth and on social media. They will also be contacted by a Gibson representative who will coordinate the shipping of the daily prize. The winners do not have to be present to collect the prizes.

Following the completion of the 2020 NAMM Show, each daily winner will be entered into a final, grand prize round of the competition where one grand prize winner will be awarded a new Epiphone Uptown Kat ES guitar, along with bragging rights for the year.

How Dan Konopka of the Band OK Go is Using KRK ROKIT G4 on a New Music Platform

KRK_Dan KonopkaWith KRK, you’re not going to find a group of people more supportive or fired-up about DIY music creation.  On a daily basis, we thankfully hear from and talk to incredibly talented musicians, producers, mixing engineers and songwriters about their experiences with our gear.  Recently, we caught up with a KRK user who we truly respect in that DIY spirit; someone who will forever be ingrained in Rock & Roll history with one of the most engaging music videos ever.

If you’re a fan of great music and music videos, you certainly remember the band OK Go’s “Treadmill Video.”—it was epic.  It captured your attention immediately and it was incredibly original considering we are now at a point in time where kids eat Tide PODS® to get acceptance.  No, this was not a gimmick, this was simply a group of Rock & Roll soldiers doing something they needed to do – make a video for a great song without the support of their major label, who at the time wasn’t giving them the attention they needed. In that procedure, the guys of OK Go stumbled upon something so authentic in which we now know of today as “gone viral” and “must see.”

OK GO KRK

It was “that thing” you can’t put your finger on that makes you watch certain content repeatedly.  “We made that video completely on our own,” Dan told us while producing a new band out in Denver, CO.  “We weren’t getting what we needed from the label at the time, so we had to figure something out with what we had in front of us—we had to do something.  We didn’t ask for permission and the label basically wasn’t involved until after we uploaded it to YouTube on our own.”

KRK is very excited to have taken permanent residency in Dan’s home studio who is a principal member, drummer, producerDan Konopka KRK Rokit g4 3 and re-mixer for the GRAMMY Award-winning group.  He relies on KRK monitors, subs and headphones to produce music with his band, but most recently, he has also implemented the gear into his workflow for projects with SoundBetter, the world’s leading music production marketplace, which helps musicians around the world connect with and hire top music pros to mix release-ready songs. With KRK’s new ROKIT G4 studio monitors, 12S powered Subwoofer and KNS 8400 Headphones, Dan feels more confident than ever in the quality of his mixes.

Though the ROKITs are his current go-to monitor solution, his initial introduction to our brand was through the eight-inch model of the renowned two-way V Series (V8) Powered Reference Monitors. “I first began my search for studio monitors because I needed something that was going to sound better than my home speakers,” he says. “I’ve been using the V Series 4 V8s for many years and I have never been disappointed. When the new ROKIT G4 range was released, I knew I had to get my hands on them.”

Dan Konopka KRK ROKIT G4 2

Working on both sides of the music industry—live stages and in-studio—Dan especially knows the value of a high-quality mix; that’s why KRK’s ROKIT G4s have become a staple solution in his home studio. “These studio monitors do their job perfectly and they’re involved in everything that I do musically,” he adds. “I receive such great feedback with the ROKIT G4s.  SoundBetter clients seek professional-quality mixes that they cannot produce on their own and KRK monitors allow me to provide the most pristine mix to my clients, so I know I can meet their expectations.  The reliability and quality of the G4s is something that I’ve never seen before at this price point—it’s really amazing.”

Please visit here for more information on working with Dan Konopka on the Soundbetter.com platform.

Please visit here for information on the most innovative studio monitor line on the market.

Thanks for reading!

What Critics are Saying about ROKIT G4 Monitors

ROKIT G4At KRK, we worked hard on making sure the new ROKIT G4 studio monitors were the absolute best they could be.  We took a lot of knowledge from what we learned making the higher-end V Series 4 monitors, to reinvent a new product that delivers incredibly accurate sound reproduction for all music genres and applications.

What does this mean exactly?  It means the more accurate the music playback is in terms of frequencies, levels, depth, effects and panning, the more accurate your decisions will be in your production.  Ultimately, your final productions will sound better when played back on other systems outside of your studio.  We spent immeasurable amounts of time and energy comparing them to everything else out there on the market, and we went back to the drawing board many times to get it right.

Below are some excerpts from new ROKIT G4 reviews:


RECORDING MAGAZINE

REC-Logo-410x90-@2x

“The ROKIT 5″ G4 is a fantastic improvement on the well-respected ROKIT theme in every way, and proof that great-sounding small monitors do not have to break the bank.”

“The new ROKIT 5″ G4 has an improved high end that is more open and detailed that that of previous models.”

“The sound and the feel of the low end on the G4 is deep, open, and dimensional.  It is best described as less blunt than previous models, and offers more low-end detail and nuance than before, most likely due to the use of Kevlar®.”

“Overall, the new ROKIT 5″ G4 reminds me more of KRK’s V series 4 than the older ROKIT series.”

MIX MAGAZINE

1200px-MIX_logo.svg

“Accurate and consistent sound quality; good value for the money; DSP-based EQ offers plenty of room-tuning options; tight-sounding bass; ROKIT 5″ G4 offers good bass response for it’s size.”

“On the 8-inch monitors, the bass sounded full but not flabby. Mids were vibrant, and the highs were plenty bright.”

“I was definitely impressed with the 5-inch and 8-inch ROKIT G4 Monitors and would have no problem using either in my studio on a regular basis.”

“KRK has raised the prices a little on each model in the series, but the speakers are still quite reasonable and are one of the better monitor values on the market.”

MUSIC CONNECTION

music-connection

“The KRK RP8 monitors (after minimal tweaks) are as close to perfect as any monitor I’ve had in the same left/right positions.  I found them to have enough low frequencies and clarity so as to be easy to mix on.  Inherent problems and flaws in recordings and mixes show up at low volume levels.  Love these!”


 

Between the matching drivers made with Kevlar®, the solid craftsmanship of the new enclosure, and the on-board DSP-driven EQ that works with the KRK Audio Tools App, we think you will hear the quality of sound immediately.  Please visit your nearest KRK dealer for a demonstration so you can hear for yourself how ROKIT G4 monitors will elevate your music productions.

DuPont™ and Kevlar® are trademarks or registered trademarks of E.I. du Pont de Nemours and Company.

 

 

 

Now Available for Android and iOS – What’s So Special About the KRK Audio Tools App?

Audio_Tools_logo_Black

DOWNLOAD HERE FOR ANDROID

DOWNLOAD HERE FOR iOS

The new KRK Audio Tools app will help anyone setup their studio for better mixing decisions!  We are excited to announce that the free KRK Audio Tools App is now available for download from the Apple and Android stores.  It’s a free suite of professional studio tools and includes five useful analysis-based components that help setup any brand of monitors, and one powerful tool (EQ Recommendation) that helps acclimate the new KRK ROKIT G4 monitors to their individual acoustic environment.

Rokit-5 Back PlateWe wanted to build something game-changing for the new ROKIT G4 line that enables you to achieve better final mixes overall.  In terms of critical listening, the G4 monitors are completely different, and a major upgrade from the previous G3 line, so our intentions with the EQ Recommendation tool were to suggest a flatter condition and help get you to a better starting point.  Ultimately, it still comes down to preference and using your musical ear, but it’s certainly great to have this feature available along with the others in the app.

KRK0383Five of the app tools work with any monitor setup. This includes the Level Meter, which assists with monitor level calibration to ensure all monitors are at the same dB level, as well as the Delay Analysis feature that helps calculate the time from each monitor to the user’s ears. Additionally, the app’s Polarity function is used to verify the correct wiring of monitors, minimizing bass loss and incorrect stereo imaging reproduction—the results of monitors being out of phase, while the Spectrum RTA and Sound Generator are great for finding nuances in any environment.  Also included is an unprecedented Monitor Alignment feature, which is used to determine the best placement of multiple monitors within proximity. Finally, the EQ Recommendation tool, specific to ROKIT G4 helps acclimate monitors to an environment by analyzing the app-generated pink noise and subsequently suggesting the best EQ preset, which is set manually on the back of the G4 monitors.

Here is an overview of each tool:

EQ Recommendation Tool

eq recommendation 1

The EQ Recommendation Tool is specific to ROKIT G4 owners, while all the other tools below will work with any studio monitor setup.  Use the EQ Recommendation tool to determine which DSP EQ presets to engage on the back of your ROKIT G4 monitors.  It is advised to use this tool after you align and calibrate the level of the monitors (see below).

To use the EQ Recommendation tool, use a Y-cable splitter from your headphone jack to the monitor’s inputs.  Place your phone microphone at ear level in the ideal listening position and tap the play button.  A pink noise signal will be played for analysis purposes.  Check the signal strength level meter and make sure that the signal is not too low or too high. The analysis will take around 20 seconds to finish.  During the analysis, move the phone slowly in a figure 8 pattern around the listening sweet spot while the measurement is being made. This will create a better average the data being analyzed resulting in more consistent recommendations.

Once the analysis is finished the screen will show you a recommendation EQ preset number to use with your monitors.  Go to the back of your ROKIT G4 monitor and use the dial to select the recommended settings.  Again, our intentions with the EQ Recommendation tool are to suggest a flatter condition to help get you to a better starting point with your monitors.  Ultimately, it still comes down to your preference, style of music, and your musical ear.  So, use this tool to experiment with what works best for you.

Spectrum RTA Tool  

spectrumThe Spectrum RTA Tool is used to measure and display the frequency spectrum of the input audio signal in real time.  It uses the Fast Fourier Transform algorithm to generate its frequency analysis view of amplitude vs frequency.  This analysis can be used to detect various factors that affect the listening experience in your environment.  It includes a signal generator that can generate sine waves, white noise, and pink noise.  There is also a peak hold function.  If you tap onto the screen, a cursor display will appear showing you the actual frequency and amplitude values. To disable the cursor just drag it outside the screen.

Level Meter Tool

level meter

The Level Meter Tool is used for monitor level calibration (making sure your monitors are at the same volume).  We advise to calibrate your monitors one at a time to make sure that all monitors are at the same level.

To calibrate the monitors, you will first need to generate pink noise with the Sound Generator Tool using a Y-cable splitter from your headphone jack to the monitor’s input.  The ideal location for the phone microphone is at ear level in your general listening position.  The Level Meter shows two bar graphs to show the actual level of the monitor, one green for the RMS value and one yellow for the peak value.  You can tap the max peak label on the bottom of the level meter to reset its value. There is a red clip indicator on top of the level meter which can be tapped to reset.

Monitor Align Tool

monitor align

Monitor Align Tool is used to perfectly align the angle of your studio monitors.

The left and right studio monitors should be approximately 1 to 1.5 meters (3 to 5 feet) apart and directed at a 30-degree angle towards your listening location. This will form an equilateral triangle between the two monitors and your ears. The tweeters should be at the same height as your ears when your seated in your listening position.

To use the Monitor Align Tool, start by turning your monitors so they face straight out with no inward angle, and place your device on top of either the left or right monitor. Tap the left, or right monitor icon depending on which you started with, and then turn the monitor until the desired angle 30-degree angle is reached. The speaker display graphic will turn green when the recommended 30-degree angle is reached. Repeat the process for the other monitor. Tap the listener icon to reset the process.

Delay Tool

delay

The Delay Tool is used to time-align your monitors in a multi monitor system. The sound from each individual monitor takes different increments of time to reach your ear.  This can have a negative effect on your listening experience if the time-delays are not even. This tool will allow you to calculate the time-delay of each monitor to reach your listening spot.

To measure the delay time from one monitor to your ears, first place the microphone as close as possible to the woofer and tap the play button.  This will create a reference measurement of zero milliseconds. Now, place the microphone at the listening position and tap the play button again.  This will measure the actual delay time between the monitor and your listening position.  The time delay from each monitor to the listening position should match as closely as possible.  You can use these delay values together with the monitor align tool to help find the optimal placement for your monitors in context with your listening area (where your ears are generally located when you listen).

This tool is helpful to approximate the distance between the monitors, and then from the monitors to your ears–creating the perfect listening triangle.  You can use these distance values together with the monitor align tool to help find the optimal placement for your monitors.

Polarity Tool

polarity

Polarity Tool is used for verifying that monitors are wired correctly.  Individual monitor polarity in a monitoring system is an important parameter to check.  If polarity is wrong (out of phase), then the sound will result in bass loss and incorrect stereo imaging reproduction.

To use Polarity Tool, use a Y-cable splitter from your headphone jack to the monitor input and send the built-in test signal to your specific monitor by holding the phone microphone up to that specific monitor.  In the polarity tool screen, you can see an audio input oscilloscope configured in automatic mode.  Increase the volume of the monitor until the test signal waveform is shown correctly and the oscilloscope triggers, freezing the waveform.  Keep a minimum distance of 1-inch and maximum distance of 12-inches from the phone microphone to the monitor driver cone to get accurate measurements.  The polarity is read indicating whether the driver is in positive or negative polarity.  Green (+) for positive and red (-) for negative.  You can repeat this process for the other monitors in your system setup.

Please take note that in some models (for example: ROKIT 5 [RP5G4]), the tweeter is opposite polarity of the woofer by design.

Outside 1We hope these audio tools are helpful for achieving better results with your audio productions and look forward to hearing what you create!