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Latin GRAMMY®-nominated Colombian Artist Annasofia Called on KRK Kreate for Debut EP

As an artist, producer, and composer, Colombian native Annasofia has been inspired by music since an early age, taking up drums at seven and writing songs by nine. After studying production at college in Bogotá, she moved to Miami’s vibrant music community to take advantage of a mentorship opportunity with Julio Reyes at Art House Academy. With a musical style that’s described as a combination of rhythmic pop, beat-driven rap, and off-kilter power ballads, Annasofia released her debut EP, “Primer Intento,” on October 2, earning herself a “Best New Artist” nomination at the 2025 Latin GRAMMY® Awards.

From her early days in Colombia to her latest album, one constant has always shaped her sound: KRK Studio Monitors. “The first monitors that I used were KRKs,” she says. “Those ROKIT 5s are still in my studio in Colombia. They helped me make all my first productions, so I have a deep love for KRK.”

When the time came to build a creative setup at her new apartment in Miami, Annasofia selected the KRK Kreate 5 Studio Monitors, which she says felt like reconnecting with an old friend. Only, this version has some new tricks, with the Bluetooth feature surprising her the most. “Sometimes, you just want to check a mix quickly without connecting the whole interface,” she explains. “The Bluetooth connectivity on the Kreates makes that super easy.”

As a home producer, Annasofia’s setup is in her living room, which she shares with a roommate. “My living room is tiny, so having monitors that don’t take over the whole space is a huge benefit,” she adds. “The Kreate 5s fit right in. They are small and stylish, and just blend right into my space without turning my home into a studio, but they also deliver the clarity, punch, and emotional accuracy that I need.” 

Since she is a drummer, Annasofia also checks every mix by how the bass hits in her chest, often comparing her tracks to her favorite Kendrick Lamar tracks for a gut-level reference. Even with no acoustic treatment in her space, the Kreate 5s provide the imaging and balance Annasofia needs to make final tweaks before taking her mix to the studio. “No one listens to my music in a perfectly treated room,” she jokes. “So, working here actually helps me get closer to how people will really hear it.”

Three of the songs on her newest EP were finished using the Kreate 5s, including one produced entirely in her living room. For playback checks, late-night revisions, and the emotional fine-tuning that shapes her storytelling, the Kreates have become part of her daily rhythm.

Even off-stage and out of the studio, KRK is making its mark on Annasofia’s creative process. Before releasing her EP, she took her music to the streets of New York to have strangers listen to her songs and provide their feedback, using her KRK KNS-6402 Headphones to showcase her talents. “It was super cool — I was talking about my music with random people, and many of them asked me about the headphones,” she explains. “They really liked how comfortable they were, and how great they sounded. I loved that experience.”

Beyond monitoring, the Kreates also help provide playback for gatherings and the occasional guilt-tinged moment of using them as home speakers. “They tempt me, but I keep the volume low, so I don’t blast them and bother neighbors,” Annasofia adds.

KRK and its parent brand, Gibson, have played a meaningful role in supporting Annasofia’s artistic journey. In addition to the KRK gear, she uses an Epiphone guitar on her records. “Everyone at the company is always so supportive,” she says. “It’s powerful to see brands like KRK backing women producers. They have supported my dreams, and I’m grateful.”

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KRK GoAux Give Erik Aldrey Portable Power and Trusted Translation

For Mix Engineer Erik Aldrey, sound has never been just a profession; it’s a lifelong passion. From growing up in Venezuela in a family of working-class musicians to becoming one of the first Venezuelan engineers nominated for a GRAMMY®, Aldrey’s journey has always been defined by the way music makes people feel. Part of creating that feeling, he says, comes from using monitors that translate his mixes into the real world.

“Most people don’t listen on $10,000 speakers; they listen on phones, laptops, Bluetooth speakers, in cars—basically anywhere that’s not a pristine studio environment,” Aldrey explains. “As a result, what we mixers really need are tools that help translate music to all those systems. It’s not about having the most hi-fi setup; it’s about finding monitors that tell the truth. That’s what allows a mix to connect with listeners in the real world, which is ultimately the point of what we do.”

That’s how KRK has now come back into Aldrey’s life. The engineer previously owned the very first generation of ROKITs decades ago, running them alongside other monitors in his early career. At the time, they were reliable workhorses, but he eventually moved on as his studio setups grew larger and more specialized. Yet years later, a surprise package from a friend reintroduced him to KRK, this time through the compact GoAux Mobile Monitoring System.

“When I opened the box, I honestly thought they’d sent me a record or some kind of merch,” Aldrey recalls. “But inside were these tiny speakers, and I remember thinking, ‘Okay, let’s see what these can do.’ I set them up just to test them out and, suddenly, I was mixing full tracks on them without even realizing it. Hours passed, and I was still working on them. That blew my mind because I wasn’t expecting that level of usability and accuracy from something so small and portable.”

The GoAux monitors have since become a secret weapon in Aldrey’s workflow, allowing him to set up quickly, move between spaces, and still trust what he’s hearing. “I’ve mixed entire EPs on them,” he explains. “What really convinced me was when I sent the mixes off to clients who are usually super picky about details. They didn’t send me crazy revision notes like they sometimes do. Instead, the feedback was minimal, and the tracks translated beautifully everywhere. That’s when I knew I could actually trust these little things. They are more than just a travel option; they are real mixing tools.”

What surprised Aldrey most wasn’t the sound in the audiophile sense, but the way the GoAux monitors make him work. “If you ask me if they’re good for mixing, I’ll let you know that they’re great,” he says. “The monitors are not designed to flatter you. They push you to make decisions quickly and with confidence, and force you to address balance, EQ, and dynamics—all the fundamentals. The best part is that those decisions translate perfectly to the outside world. For me, that’s more valuable than having a system that just makes everything sound pretty.”

The portability of the GoAux has also given Aldrey new freedom. “As someone who often travels for projects, the ability to toss a pair of GoAux monitors in my bag means I can transform a hotel room or temporary workspace into a mix environment,” he explains. “I also love switching spaces when I get stuck on a project. It resets my ears and gives me a fresh perspective. With these speakers, I don’t have to compromise just because I’m not in my main studio. I can literally keep working no matter where I am, and I know what I’m hearing will hold up when I get back home or when the music goes out into the world.”

At home in his Hollywood, Florida, studio, the GoAux sit just below his main system. “They are always within reach,” he adds. “Sometimes they serve as the first playback system; other times, they’re the final check before sending a mix out.”

For Aldrey, KRK has come full circle. From his early days experimenting with ROKITs to his modern-day reliance on the GoAux for professional, portable mixing. “They’re small, they’re affordable, and they make me work faster,” he says. “At this point in my career, that’s exactly what I need. The gear that sticks with you isn’t always the biggest or most expensive; it’s the stuff that actually makes your job easier and your results better. That’s why these monitors have earned a permanent spot in my workflow.”

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Malevolence keeps its edge with a decade of ROKIT-powered recording

With early starts in a spare bedroom with a DIY vocal booth, Malevolence’s recording space has grown into a fully outfitted creative space in a 1,000-square-foot former warehouse. Today, this professional studio allows the band to handle pre-production and jam sessions as they prepare for tours and upcoming albums.

“We started out recording our demos in my spare room; that’s where it all began,” recalls guitarist and vocalist Konan Hall. “Now, our professional studio houses a full live room downstairs and a custom-built vocal booth that gives us a professional space tailored to our creative process. It’s a far cry from those early days when all our demos were made in my house on a basic setup.”

While the creative space may have evolved over time, one thing that has remained consistent is Hall’s use of his tried and trusted KRK ROKIT 8 G2 Studio Monitors. Through cramped bedroom sessions, band debates, and long nights of pre-production, the band’s yellow-coned monitors have been a constant.

“I’ve had them nearly 10 years now, bought them secondhand off some kid,” Hall says. “They’re my personal speakers, but have been in our studio forever. They’ve been hammered with more heavy metal than most speakers should ever be put through, and they’re still fantastic. They’re really true-sounding; flat response, no extra coloration. I also like the little trims that are on the back for adding a little bit of high frequency or taking a little away. It’s also got good volume controls on the back, which is really nice.”

Even now, with a professional space and international recognition, Hall hasn’t felt the urge to replace the monitors. “Every time I think about upgrading, I ask myself, ‘Why?’” he continues. “Sure, I’d love to have a sub or maybe a set we could take on tour, but these old ROKITs; they’ve earned their place. When we track something here and later play it in a million-pound studio, it translates. That’s exactly what you want—no surprises.”

The results of the band’s time with the ROKITs can be heard on their newest album, “Where Only The Truth Is Spoken,” which was released June 20. “This album is the truest representation yet of who we are,” adds Hall. “We’re proud of every record we’ve made, but this one… it feels like a massive step up. The production is polished, but it hasn’t lost the raw edge that makes Malevolence, well, Malevolence.”

Of course, Hall says, credit also goes to their producer, Josh Wilbur, whose resume stretches from hardcore acts like Malevolence to pop megastars like Pink. “He flew over from the U.S. and worked with us right here, which was really important,” Hall continues. “Being in our space, surrounded by our own environment, kept us sounding like us. Josh didn’t come in and try to rewrite what Malevolence should sound like; he just helped elevate it.”

That authenticity is built on years of brotherhood. Bassist Charlie Thorpe and Drummer Wilkie Robinson started the band when they were just 11 years old. Hall and fellow guitarist Josh Baines joined in 2009. The lineup was locked in place in 2010, when vocalist Alex Taylor rounded out the team. From Sheffield gigs to European tours, that subsequently stretched across Asia and Australia, the group has steadily carved out its place on the global metal stage. “We’ve pretty much been everywhere now, except South America,” Hall laments. “That’s still on the bucket list.”

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MAD Arts advances curiosity in art and technology with KRK ROKIT 10-3 Studio Monitors

Audio Engineer Erik Aldrey installs Dolby Atmos room at immersive art museum in South Florida

DANIA BEACH, FL, JULY 28, 2025 ― MAD Arts, a pioneering immersive art museum and community hub, recently completed the installation of a state-of-the-art Atmos® playback system using KRK ROKIT™ G4 10-3 Studio Monitors. This system enhances the auditory experience of one of its many exhibitions, “On Being,” by acclaimed Electronic Composer and Multi-disciplinary Artist Max Cooper, Fine Artist Minjeong An and Creative Coding and New Media Artist Ksawery Kirklewski, in collaboration with talented Audio Engineer Erik Aldrey.

On Being by Max Cooper, Ksawery Komputery, Minjeong An for IGNITE Broward at MAD Arts Dania Beach. Photographs by RodrigoGaya.com/Gayaman Visual Studio LLC 3.13.25 – IGNITE Broward – MAD Arts

Located in a 50,000-square-foot facility in South Florida, MAD Arts is at the forefront of merging art and technology. The museum supports visionary projects that push the boundaries of creativity, and “On Being” is no exception. The exhibition invites attendees to express their innermost thoughts in a unique, real-time interactive experience, which is enhanced by Aldrey’s expertly designed sound system.

Aldrey, who specializes in mixing and mastering, took on the challenge of designing the fully immersive audio setup utilizing the museum’s existing stock of 28 ROKIT G4 10-3 monitors. “KRK worked so well in the room and sounded incredible as a PA speaker,” he says. “The 10-3s have a large bandwidth and sound close to the full range that Dolby® wants you to have for a setup. This made the installation easier because we could depend on fewer subs to fill the room.”

On Being by Max Cooper, Ksawery Komputery, Minjeong An for IGNITE Broward at MAD Arts Dania Beach. Photographs by RodrigoGaya.com/Gayaman Visual Studio LLC 2.18.25 – Ignite Broward Arts Park & MAD Arts

Aldrey also shared, “I discovered that I could achieve the essential home theater calibration of Dolby using the 10-3s, which streamlined the installation process beautifully. The ROKITs are powerful enough to fill the art exhibit space with vibrant sound.”

The immersive audio-visual experience allows exhibition-goers to connect more personally with the narrative unfolding around them. By scanning a QR code, attendees can contribute their thoughts, enriching the communal dialogue inspired by the display. “Everyone who has come to view the immersive room loves the ROKITs. They are great speakers,” Aldrey adds, highlighting the positive response he received about visitors’ experiences.

“Getting the chance to sit and really absorb the sound of the ROKITs in the room, you start to hear the little nuances, and it makes a huge difference in the audio quality,” says Marc Aptakin, Founder of MAD Arts. “The KRKs truly exceeded my expectations.”

MAD Arts is dedicated to making art accessible for all and believes in leveraging technology for social good. With its commitment to educational initiatives and inclusive programming, the museum continues to foster a lively community that champions creativity, innovation, and collaboration.

Aldrey has over 30 years of experience in mixing and mastering, with various collaborations such as mixing for the 2019 Latin GRAMMY® Alternative song “Tócamela” by Los Amigos Invisibles and two Emmy nominations for mixing the documentary “America First — Postville.” He first received notoriety in 2000, when he was nominated for a GRAMMY® and Latin GRAMMY®, both as recording and mix engineer. After mixing several more albums, he received a Latin GRAMMY® nomination in 2014 for “Record of the Year” for his mastering work on “Escultura” by Guaco. Aldrey has worked with artists including Duran Duran, Ladytron, Stereophonics, Soul Coughing, Tom Vek, and Superthriller, among others.

A talented electronic composer and multi-disciplinary artist, Cooper is also a music label founder and former scientist who has carved out a unique space in music and visual art. He has used his over 15 years of experience in music and collaborations, as well as through his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos, and live events.

Born in Chorwon and based in Seoul,  Minjeong completed her residency program in Korea at the Cheongju Art Studio. She has exhibited on her own throughout Korea and as part of group exhibitions in Korea, Taiwan, China, the United Kingdom, Poland, and the United States. Kirklewski is the author of interactive light installations, music videos, generative animations, physical art pieces, and projects in public spaces. He uses new technologies, programming, and advertising media, focusing mostly on the digital and generative art field.

MAD Arts invites the general public to visit, experience various exhibitions, and become immersed in a groundbreaking blend of art and technology, including the current “On Being” display. For more information about MAD Arts and upcoming exhibitions, visit: yeswearemadarts.com.

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Platinum Producer Johhny G taps KRK GoAux

 Brand’s mobile monitors provide next-level portability and sound in music production

MIAMI, JULY 8, 2025 ― Billboard-charting, platinum-selling Artist, Producer, and Creative Visionary Johhny G is making waves in the music industry. He started one of TikTok’s biggest dance trends of 2020 and the viral Chinese New Year Remix #vibechallenge. Known for his genre-defying style and catchy hits, Johnny G is turning heads with his new KRK GoAux 4 Portable Studio Monitor setup, which is as dynamic as his sound.

Best known for working with iconic talent like YG Marley on songs like “Praise Jah in the Moonlight,” Johhny G’s production toolkit just got a powerful upgrade. A long-time user of KRK’s ROKIT 10-3 Powered Studio Monitors, Johnny G has now also embraced the ultra-portable GoAux, and he’s not looking back. “I like the GoAux because they are compact and convenient,” he says. “The carrying case makes it super easy to travel and transport where I need to go, and the sound is great as well.”

From impromptu beat-making sessions to vibing out with mixes, Johhny G appreciates the flexibility and uncompromised audio quality that KRK brings to his creative workflow. “I use the GoAux mainly for home mixing sessions,” he explains. “I will set the monitors up and make beats from anywhere — the kitchen, balcony, you name it.”

Beyond just production, the GoAux monitors have become a crucial tool for Johhny G for playback and referencing. “My KRKs have good, clear sound and have helped me in my creative process,” he adds. “At the end of the day, I want everything to sound good, whether that’s through headphones or in the car, and these monitors help make sure of that.”

Of course, it’s not just about sound — it’s also about the vibe. “I enjoy the aesthetics of KRK in general,” Johhny G adds. “The look of the monitors is cool, and the bright yellow cones really stands out.”

With humble beginnings in South Florida, Johhny G’s journey as an artist and producer began in high school, when he first dove into the depths of music-making. Since then, he has grown into a multifaceted creator who doesn’t believe in genres or labels, just great sound and boundless creativity. “KRK was the first pair of speakers I ever owned,” Johhny G reflects. “I grew up using them, and they really helped me find my sound.”

Whether it’s through his viral hits or high-energy TikTok dance challenges, Johhny G continues to push musical boundaries. His upcoming single, “Human,” is set to drop on July 11, and you can bet it’s been fine-tuned on a pair of KRKs.

Johhny G has had a passion for music since he was a child, learning various instruments, singing in the school choir, and making beats in his college dorm room, which is where he discovered his love for mixing. Music has also been a way for him to bond with his dad, who he says, “worked a lot of Saturday nights and would be off playing music for hours. Music has always kept us connected.”

As someone with a passion for both creating and producing music, Johhny G is a unique artist with a strong ear for quality sound and diverse musical interests. Instead of trying to box himself into a certain category, Johhny G leaves it up to his music and creates based on feeling, regardless of what label it suits. With his KRKs by his side, Johhny G continues to create with endless possibilities for what comes next.

Check out more of what Johhny G is up to on his social channels @JohhnyG__.

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Marshmellow Skies state-of-the-art Dolby Atmos facility pioneers immersive music production with KRK

Recording studio provides immersive experience for music lovers with the help of KRK studio monitors and subwoofers

WESTLAKE VILLAGE, CA, JUNE 18, 2025 ― Marshmellow Skies Recording Studio, recognized for its professional production and development services, recently opened as a cutting-edge recording facility equipped with Dolby Atmos capabilities. Led by GRAMMY®-winning Record Producer and Engineer Ken Caillat, Chief Engineer Claus Trelby, and Business Manager Nitanee Paris, the studio aims to elevate the musical experience for both artists and listeners.

In response to the increasing demand for immersive audio, the studio underwent a comprehensive redesign. “We built a new studio from the ground up, designing the control room specifically for immersive audio mixing,” says Trelby. “Our innovative setup includes KRK V8 and V6 Studio Monitors and KRK Subwoofers, which together ensure reliability across all volume levels. This allows artists to be fully immersed in the dynamics of their music as they create.”

Key features of the new studio include a meticulously designed control room and a reference theater with a 7.1.4 configuration, which enables rich audio experiences during sessions. “We also have a 9.1.6 setup with the KRK V8s on the horizontal and the V6s above us, along with two subwoofer cabinets on a single channel. The KRKs are great and able to handle the demands of both low and high-volume levels,” emphasized Trelby. “Working in such a space inspires creativity and aids in the transition to immersive audio formats.”

Marshmellow Skies has already made significant waves in the industry with projects like Joni Mitchell’s award-winning “Live at Newport” and Jazz Guitarist David Becker’s “Gravitationally Bound.” The studio’s new immersive audio environment allows for seamless recording and mixing. “The KRK speakers are integral to achieving this dynamic sound quality, allowing for both subtle and powerful audio without compromising the integrity of the music,” says Caillat.

Caillat elaborated on the importance of the KRK speakers used in the setup, sharing that “they are affordable speakers and sound great, too. They are beneficial for Dolby®—light, airy, and transparent.” Trelby echoes his sentiments, adding: “The KRKs translate really well, and I trust them. They are flat enough that it’s easy to EQ them to any production curve that we would need to, and we don’t have to reach far to hit these curves.”

Subwoofers are also an important part of any immersive room. “A subwoofer must be tight. You can’t have any residual waves coming out of them,” explains Trelby. “That is why the KRK subs are so great; they give you what you want and deliver a full and immersive audio experience.”

“Feedback from listeners has been overwhelmingly positive,” adds Paris. “Many people have shown a lot of emotion while experiencing the immersive audio for the first time, sharing with us how it transformed how they will listen to music in the future.”

As the music industry continuously evolves, Marshmellow Skies Recording Studio is at the forefront, shaping the future of sound. For artists seeking to explore the endless possibilities of immersive audio, the studio represents an exciting milestone with high-quality gear, including KRK studio monitors and subwoofers. This commitment to quality has resulted in multiple successful immersive albums for the team, including five collaborative projects with the legendary Joni Mitchell.

Marshmellow Skies is a premier recording studio based in California, dedicated to pushing the boundaries of music production with Dolby Atmos. Led by a team of industry veterans, the studio is committed to delivering the highest quality in audio production and creative collaboration.

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KRK ROKIT and GoAux monitors revolutionize sound and creativity for TUMBAO

World Sounds Event & DJ Collective Founder Albert Piedrahita sets the stage for sonic innovation

MIAMI, MAY 19, 2025 ― During his rise as a DJ and Event Producer, Albert Piedrahita recognized a gap in the local nightlife that was waiting to be explored. He was inspired by his relocation to Los Angeles, which had a lively, thriving music scene and encouraged him to start TUMBAO. A homegrown, Miami-based DJ collective that brings people together through culture, dance, and sound from around the world, TUMBAO invites seasoned dancers and curious newcomers alike to join the rhythm and feel the joy of community. Driven by a vision to ignite a revolution in sound and culture, TUMBAO breaks away from the ordinary to redefine expectations and leave audiences hungry for more.

“I wanted to integrate music from around the world into one party; TUMBAO is a culmination of all those different sounds,” explains Piedrahita, who recently celebrated the Third Anniversary of this innovative DJ collective. “We’ve seen such a big success with our events because we honor all the diverse music and individuals under one roof, which makes for a unique dynamic. We’ve also taken the experience to different cities around the U.S. and the world. This year’s Miami anniversary event was especially important; it was the first time we had a major sponsor and our largest party to date.”

With such a lively event and uplifting experience as TUMBAO, Piedrahita needs reliable equipment to create powerful sound both in his studio and on the road. As a longtime KRK user, he recentlyacquired the brand’s new ROKIT Generation 5 Powered Studio Monitors and GoAux Portable Studio Monitors, which he uses along with hisexisting ROKIT 8 G3 Powered Studio Monitors. He has two setups at home that utilize his KRK gear: one for DJ practice and the other for making remixes and casual listening.

With the KRK speakers providing powerful sound, the atmosphere at the TUMBAO events is electric, inviting everyone present to dance and immerse themselves in the vibrant rhythms that echo throughout the venues. “KRK plays a big role in every stage of music setup; we use the speakers to create our edits in the studio, and the monitors are also present at the DJ booth,” shares Piedrahita.

Having developed familiarity with the features and capabilities of the KRK ROKITs, Piedrahita believes the monitors enhance all music production projects. “The ROKITs are trustworthy, and I love the sound response; they are affordable as well. You really can’t beat them; they go everywhere with me,” he shares. “When I was first learning to DJ, I visited a friend who had a pair of ROKITs, and I thought they sounded great. As I met more people in the industry, I noticed a lot of peers had similar setups. KRK monitors are great for collaborating and are terrific for consistency, which I appreciate.”

To complement his setup, Piedrahita recently incorporated the KRK GoAux for fast and efficient references. “I love the GoAux because I can easily swap between using them with Bluetooth or through the interface. I use them for my smaller, indoor DJ sets; they power a room easily,” he says. “They are also easy to transport, so I can take them with me if I want to work on the road. They are amazing portable speakers, and I love the power behind them.”

Having collaborated extensively with KRK over the years, Piedrahita has forged a strong relationship with the team. These connections have deepened through shared experiences and a commitment to common goals. “The KRK Miami team is like family to me, and I don’t say that lightly,” he adds. “When I first told Cesar [Acevedo, Director of Artist Relations — U.S. Hispanic and Latin America, Gibson] about TUMBAO, he took the time to come out and see what the collective is all about and was inspired by what I was doing. After that, I became part of the team, representing KRK as a Latino and a DJ.”

TUMBAO draws inspiration from the Afro-Latin roots of late Cuban legend Celia Cruz, who popularized the word tumbao, which refers to one’s inner rhythm or groove. With TUMBAO’s sound influenced by reggaeton, dembow, dancehall, salsa, afro beats, and more, Piedrahita is excited to see the event continue to unite people of diverse cultures and backgrounds. In addition to its annual mecca to its home base in Miami, TUMBAO also makes regular rotations to New York, Los Angeles, Las Vegas, Chicago, San Juan, Mexico City, and Medellĺn.

More details about Tumbao’s schedule can be found on the group’s Instagram page: instagram.com/tamotumbao/.

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Miami producer redefines Latin music with KRK’s signature sound

Lauro creates unforgettable collaborations with brand’s ROKIT studio monitors and subwoofer

MIAMI, APRIL 15, 2025 ― Renowned Miami-based producer and songwriter Laureano “Lauro” Pardo is making waves in the music industry with his stellar portfolio, which boasts collaborations with some of the biggest names in Latin music, including Arcangel, Myke Towers, Fer Vazquez, and Flor Alvarez. With multiple nominations for GRAMMY® and Latin GRAMMY® Awards and accolades featuring two-time RIAA Gold and 10-time RIAA Platinum certifications, Lauro’s contributions to music are evident.

Lauro is a passionate creator who has cultivated his unique sound. From the early days of experimenting with music, Lauro’s journey began by collaborating with local bands, which allowed him to hone his craft. “Over time, one of those artists achieved great success, earning awards both nationally and internationally,” he shares. “Thanks to that experience, I managed to come to the United States and fully immerse myself in the music industry.” Lauro’s career, now flourishing, is rooted in a love for sound that he believes has been amplified by his choice of gear.

Equipped with KRK ROKIT 5 Generation 4 Studio Monitors paired with a powerful 10-inch KRK Subwoofer, Lauro explains, “As my studio is not very large, I am very satisfied with the sound I have achieved using my KRK gear. Despite the size, the KRK system fits perfectly in my space and makes me happy. What I like most about the KRK system is that it sounds clean and provides the right amount of sub-bass I need,” he says. “It’s a sound I’m familiar with because it’s the same one I started my career with, so I feel very comfortable.”

This familiarity dates back to Lauro’s formative years. “When I started producing, I watched many tutorials on YouTube and noticed they used KRK monitors,” he says. “One day, at a local music outlet, I came across a pair of KRK monitors and tested them for myself. That was my first experience with the brand, and I have never stopped using it.”

With a reputation for delivering high-quality sound regardless of the environment, KRK monitors and subwoofers have become indispensable to Lauro’s production toolkit. “I always use KRK with all the projects I produce in my studio,” he adds. “Every time I’m asked for a backline for a session, I choose KRK because I know the brand consistently delivers reliable results. The gear has been a great solution for me. The monitors and subwoofers sound good anywhere, and I always trust that the audio will be consistent and true to what I need.”

Looking ahead, Lauro is eager to explore new possibilities with KRK. “My plan now is to try the GoAux Portable Monitors for spontaneous sessions; I want to always have them in the car, ready and prepared for any opportunity that arises,” he shares. Lauro firmly believes that KRK is more than just a brand. “KRK is part of the global musical legacy that has shaped the industry. If you are a producer seeking powerful sound and well-defined bass, there is no better option than KRK. There is no comparison.”

Lauro is an acclaimed Miami-based music producer and songwriter known for his innovative sound and collaborations with top artists in the industry. With a commitment to excellence and a passion for music, he continues to define the sound of contemporary Latin music.

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Top Track Studios unleashes sound innovation with KRK

Studio’s Owner and Lead Engineer, Gibran Sponchiado, elevates Nashville’s music experience with GoAux Portable Studio Monitors

NASHVILLE, MARCH 31, 2025 ― Now in its fifth year, Top Track Studios has been thriving as one of Music City’s prime recording studios. Designed to enhance the city’s evolving sound, the facility has been acoustically set up with creativity, comfort, and elegance in mind. It boasts a wide selection of top audio equipment, from the well-known classic pieces found in all major studios to the newest technologies available today. Additionally, Top Track Studios prides itself on its commitment to service, ensuring that it respects a musician’s artistry by honoring their needs and vision.

“We are heavy on analog processing here at Top Track,” says Studio Owner, CEO, and Lead Engineer Gibran Sponchiado. “Our amazing outboard equipment and microphone collection make us passionate about the type of work we do. Services at the studio include live tracking of full bands; vocal recording and production; mixing; producing solo artists; and recording ADR and voice-over.”

To support this vast array of projects at Top Track, Sponchiado relies on a multi-speaker setup, which features a pair of KRK GoAux 4 Portable Studio Monitors for referencing in his control room, as well as creating seamless communication with remote collaborators. Notably, KRK’s parent company, Gibson, has recorded promotional videos for the new Les Paul Studio Guitars at Top Track.

“The KRK GoAux sound great and have balanced frequency response, despite the small size,” says Sponchiado. “In a studio, you always need a speaker that can handle loud sounds with extra headroom to avoid distortion on loud transients. When I first sought a small set of speakers for the studio, a friend of mine suggested trying out the GoAux. I bought myself a pair, and they are a great addition to Top Track’s setup.”

Sponchiado goes on to explain that his team also relies on the GoAux speakers for sessions with remote clients. “If we are working with a producer in California who wants to direct the recording sessions in real-time, it’s important to have our client’s feed in an alternative set of speakers in order to separate the communication from the actual session material.”

Sponchiado also admires the sleek design and modern aesthetics of the KRK GoAux monitors, finding their appearance both appealing and distinctive. “The GoAux matches the vision of the studio and goes great with the wooden elements we have throughout the space,” he adds. “We want to make art here at Top Track, and it is important to have speakers that make an impact on the artists and people who come here, both visually and auditorily. The GoAux speakers are equipped with Bluetooth® capabilities, which allow us to quickly let clients play some of their music from their phones or laptops without having to hook up anything physically.”

A devoted audio enthusiast and true maestro of analog gear, Sponchiado blends his wealth of audio expertise with his passion for music and has forged a reputation for excellence over his extensive 20-year career. As a highly skilled Brazilian Producer and Recording/Mixing Engineer, Sponchiado also specializes in serving the region’s Latin communities, bringing a unique cultural perspective and deep understanding of diverse musical styles to his work. Artists looking to elevate their sound will ask to collaborate with Sponchiado because of his commitment to quality and creativity.

Sponchiado got his start as an audio engineer in 2004. He earned a bachelor’s in music education from Universidade Estadual do Rio Grande do Sul (UERGS) in Brazil in 2008 and an MFA in recording arts and technologies from Middle Tennessee State University (MTSU) in 2016. Some of his past clients include R&B artist Jeremih, Pedro Capó (Sony Music), Rome Ramirez, Brittney Spencer (Elektra Entertainment), Finesse2tymes (Atlantic Records), rapper Rocko, actress Ariel Winter, and actors Luke Benward and Chris Mason. Record labels Top Track worked for include Sony Music, Universal Music, Warner Music, Atlantic Records, and 300 Entertainment, among others. He’s also done ADR and voiceover sessions for production companies such as Monster Factory (Resident Evil Franchise) and Wolf Studios (Doctor Who).

Today, Sponchiado approaches every session with a commitment to precision and quality that ensures each project not only meets but exceeds expectations, making him an asset in the world of sound and for Top Track Studios clients.

KRK Systems

Podcaster and On-air Personality Humberto “El Gato” Rodriguez Gets Real With KRK

Rodriguez Uses KRK ROKITs as Reference Monitors for his Podcast “El Poder de la Música”

MIAMI, JUNE 24, 2024 ― Podcaster Humberto “El Gato” Rodriguez’s “El Poder de la Música” podcast focuses on all the intricacies of music, from the science behind production to new and emerging artists. His show, which translates to “The Power of Music,” can be found on all major podcasting platforms — such as Apple Music, Spotify, and iHeart Radio.

“El Poder is a reflection of my love for music and the type of musician I would want to be had I become one,” shares Rodriguez. “I started this podcast six years ago with the vision of having a platform to discuss music with musicians, creators, engineers, producers, and anybody else who has anything to do with music, even from a scientific point of view. It has been a real treat to do what I love and be around great music and musicians.”

To bring his podcast to life, Rodriguez knows the gear in his studio needs to be equally as great as the equipment used by the artists he interviews. The KRK ROKIT 7 G4 Professional Bi-Amp Powered Studio Monitors were an easy choice. “I use my KRKs for everything,” says Rodriguez, who has the White Noise editions. “I use them for the podcast, which I air on audio and video platforms, and to listen to music; I have also produced a couple of songs with them.”

While there are many features that Rodriguez appreciates about his ROKITs, there are a few that stand out most. “One thing I really love about my KRKs is that the bass is in the front,” he says. “I don’t have a lot of room in my studio, and I needed a sound that was accurate and reliable. If the bass is too close to the back, the sound bounces and isn’t accurate. I love bass, so it was important for me to find a speaker that allows it to sound clean and precise.”

Rodriguez also credits the control functions of the monitors as being among his favored features. “I like the on-board LCD visual EQ,” he adds. “At first, I didn’t know that you could have presets of EQ, but now I love that function because I can keep the speakers flat and use my presets as necessary. I also love the standby feature. If I forget to turn off the speakers, it goes into standby mode and shuts itself down.” 

As someone who prides himself on being genuine, Rodriguez was happy to find a pair of speakers that he trusts. “I am very honest in my personal life and even when I go on air for my radio show or podcast,” he explains. “So, I need real gear and KRK for me is real. There are other well-known brands that might look very cool, but they are not authentic. I like accuracy and an honest sound; the KRK ROKITs are that for me.”

A staple in the pro audio industry for nearly 35 years, Rodriguez started his career working in a recording studio at a radio station in the Dominican Republic, which he credits as the driving force behind his connection to music. Rodriguez studied journalism in Colombia and after moving to the United States, became a well-known on-air personality. He has hosted programs on Spanish-language stations in the Dominican Republic, Colombia, and Florida. He continues to follow his passion for music and considers himself a communicator through radio and television.

As a longtime fan of Gibson, Rodriguez has a strong relationship with the brand and KRK. He works closely with Cesar Acevedo, director of entertainment relations for Latin America at Gibson. “Cesar is like a brother to me,” shares Rodriguez. “Gibson is truly like my family, so working with KRK just made sense.”