music

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Latin GRAMMY®-nominated Colombian Artist Annasofia Called on KRK Kreate for Debut EP

As an artist, producer, and composer, Colombian native Annasofia has been inspired by music since an early age, taking up drums at seven and writing songs by nine. After studying production at college in Bogotá, she moved to Miami’s vibrant music community to take advantage of a mentorship opportunity with Julio Reyes at Art House Academy. With a musical style that’s described as a combination of rhythmic pop, beat-driven rap, and off-kilter power ballads, Annasofia released her debut EP, “Primer Intento,” on October 2, earning herself a “Best New Artist” nomination at the 2025 Latin GRAMMY® Awards.

From her early days in Colombia to her latest album, one constant has always shaped her sound: KRK Studio Monitors. “The first monitors that I used were KRKs,” she says. “Those ROKIT 5s are still in my studio in Colombia. They helped me make all my first productions, so I have a deep love for KRK.”

When the time came to build a creative setup at her new apartment in Miami, Annasofia selected the KRK Kreate 5 Studio Monitors, which she says felt like reconnecting with an old friend. Only, this version has some new tricks, with the Bluetooth feature surprising her the most. “Sometimes, you just want to check a mix quickly without connecting the whole interface,” she explains. “The Bluetooth connectivity on the Kreates makes that super easy.”

As a home producer, Annasofia’s setup is in her living room, which she shares with a roommate. “My living room is tiny, so having monitors that don’t take over the whole space is a huge benefit,” she adds. “The Kreate 5s fit right in. They are small and stylish, and just blend right into my space without turning my home into a studio, but they also deliver the clarity, punch, and emotional accuracy that I need.” 

Since she is a drummer, Annasofia also checks every mix by how the bass hits in her chest, often comparing her tracks to her favorite Kendrick Lamar tracks for a gut-level reference. Even with no acoustic treatment in her space, the Kreate 5s provide the imaging and balance Annasofia needs to make final tweaks before taking her mix to the studio. “No one listens to my music in a perfectly treated room,” she jokes. “So, working here actually helps me get closer to how people will really hear it.”

Three of the songs on her newest EP were finished using the Kreate 5s, including one produced entirely in her living room. For playback checks, late-night revisions, and the emotional fine-tuning that shapes her storytelling, the Kreates have become part of her daily rhythm.

Even off-stage and out of the studio, KRK is making its mark on Annasofia’s creative process. Before releasing her EP, she took her music to the streets of New York to have strangers listen to her songs and provide their feedback, using her KRK KNS-6402 Headphones to showcase her talents. “It was super cool — I was talking about my music with random people, and many of them asked me about the headphones,” she explains. “They really liked how comfortable they were, and how great they sounded. I loved that experience.”

Beyond monitoring, the Kreates also help provide playback for gatherings and the occasional guilt-tinged moment of using them as home speakers. “They tempt me, but I keep the volume low, so I don’t blast them and bother neighbors,” Annasofia adds.

KRK and its parent brand, Gibson, have played a meaningful role in supporting Annasofia’s artistic journey. In addition to the KRK gear, she uses an Epiphone guitar on her records. “Everyone at the company is always so supportive,” she says. “It’s powerful to see brands like KRK backing women producers. They have supported my dreams, and I’m grateful.”

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MAD Arts advances curiosity in art and technology with KRK ROKIT 10-3 Studio Monitors

Audio Engineer Erik Aldrey installs Dolby Atmos room at immersive art museum in South Florida

DANIA BEACH, FL, JULY 28, 2025 ― MAD Arts, a pioneering immersive art museum and community hub, recently completed the installation of a state-of-the-art Atmos® playback system using KRK ROKIT™ G4 10-3 Studio Monitors. This system enhances the auditory experience of one of its many exhibitions, “On Being,” by acclaimed Electronic Composer and Multi-disciplinary Artist Max Cooper, Fine Artist Minjeong An and Creative Coding and New Media Artist Ksawery Kirklewski, in collaboration with talented Audio Engineer Erik Aldrey.

On Being by Max Cooper, Ksawery Komputery, Minjeong An for IGNITE Broward at MAD Arts Dania Beach. Photographs by RodrigoGaya.com/Gayaman Visual Studio LLC 3.13.25 – IGNITE Broward – MAD Arts

Located in a 50,000-square-foot facility in South Florida, MAD Arts is at the forefront of merging art and technology. The museum supports visionary projects that push the boundaries of creativity, and “On Being” is no exception. The exhibition invites attendees to express their innermost thoughts in a unique, real-time interactive experience, which is enhanced by Aldrey’s expertly designed sound system.

Aldrey, who specializes in mixing and mastering, took on the challenge of designing the fully immersive audio setup utilizing the museum’s existing stock of 28 ROKIT G4 10-3 monitors. “KRK worked so well in the room and sounded incredible as a PA speaker,” he says. “The 10-3s have a large bandwidth and sound close to the full range that Dolby® wants you to have for a setup. This made the installation easier because we could depend on fewer subs to fill the room.”

On Being by Max Cooper, Ksawery Komputery, Minjeong An for IGNITE Broward at MAD Arts Dania Beach. Photographs by RodrigoGaya.com/Gayaman Visual Studio LLC 2.18.25 – Ignite Broward Arts Park & MAD Arts

Aldrey also shared, “I discovered that I could achieve the essential home theater calibration of Dolby using the 10-3s, which streamlined the installation process beautifully. The ROKITs are powerful enough to fill the art exhibit space with vibrant sound.”

The immersive audio-visual experience allows exhibition-goers to connect more personally with the narrative unfolding around them. By scanning a QR code, attendees can contribute their thoughts, enriching the communal dialogue inspired by the display. “Everyone who has come to view the immersive room loves the ROKITs. They are great speakers,” Aldrey adds, highlighting the positive response he received about visitors’ experiences.

“Getting the chance to sit and really absorb the sound of the ROKITs in the room, you start to hear the little nuances, and it makes a huge difference in the audio quality,” says Marc Aptakin, Founder of MAD Arts. “The KRKs truly exceeded my expectations.”

MAD Arts is dedicated to making art accessible for all and believes in leveraging technology for social good. With its commitment to educational initiatives and inclusive programming, the museum continues to foster a lively community that champions creativity, innovation, and collaboration.

Aldrey has over 30 years of experience in mixing and mastering, with various collaborations such as mixing for the 2019 Latin GRAMMY® Alternative song “Tócamela” by Los Amigos Invisibles and two Emmy nominations for mixing the documentary “America First — Postville.” He first received notoriety in 2000, when he was nominated for a GRAMMY® and Latin GRAMMY®, both as recording and mix engineer. After mixing several more albums, he received a Latin GRAMMY® nomination in 2014 for “Record of the Year” for his mastering work on “Escultura” by Guaco. Aldrey has worked with artists including Duran Duran, Ladytron, Stereophonics, Soul Coughing, Tom Vek, and Superthriller, among others.

A talented electronic composer and multi-disciplinary artist, Cooper is also a music label founder and former scientist who has carved out a unique space in music and visual art. He has used his over 15 years of experience in music and collaborations, as well as through his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos, and live events.

Born in Chorwon and based in Seoul,  Minjeong completed her residency program in Korea at the Cheongju Art Studio. She has exhibited on her own throughout Korea and as part of group exhibitions in Korea, Taiwan, China, the United Kingdom, Poland, and the United States. Kirklewski is the author of interactive light installations, music videos, generative animations, physical art pieces, and projects in public spaces. He uses new technologies, programming, and advertising media, focusing mostly on the digital and generative art field.

MAD Arts invites the general public to visit, experience various exhibitions, and become immersed in a groundbreaking blend of art and technology, including the current “On Being” display. For more information about MAD Arts and upcoming exhibitions, visit: yeswearemadarts.com.

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Platinum Producer Johhny G taps KRK GoAux

 Brand’s mobile monitors provide next-level portability and sound in music production

MIAMI, JULY 8, 2025 ― Billboard-charting, platinum-selling Artist, Producer, and Creative Visionary Johhny G is making waves in the music industry. He started one of TikTok’s biggest dance trends of 2020 and the viral Chinese New Year Remix #vibechallenge. Known for his genre-defying style and catchy hits, Johnny G is turning heads with his new KRK GoAux 4 Portable Studio Monitor setup, which is as dynamic as his sound.

Best known for working with iconic talent like YG Marley on songs like “Praise Jah in the Moonlight,” Johhny G’s production toolkit just got a powerful upgrade. A long-time user of KRK’s ROKIT 10-3 Powered Studio Monitors, Johnny G has now also embraced the ultra-portable GoAux, and he’s not looking back. “I like the GoAux because they are compact and convenient,” he says. “The carrying case makes it super easy to travel and transport where I need to go, and the sound is great as well.”

From impromptu beat-making sessions to vibing out with mixes, Johhny G appreciates the flexibility and uncompromised audio quality that KRK brings to his creative workflow. “I use the GoAux mainly for home mixing sessions,” he explains. “I will set the monitors up and make beats from anywhere — the kitchen, balcony, you name it.”

Beyond just production, the GoAux monitors have become a crucial tool for Johhny G for playback and referencing. “My KRKs have good, clear sound and have helped me in my creative process,” he adds. “At the end of the day, I want everything to sound good, whether that’s through headphones or in the car, and these monitors help make sure of that.”

Of course, it’s not just about sound — it’s also about the vibe. “I enjoy the aesthetics of KRK in general,” Johhny G adds. “The look of the monitors is cool, and the bright yellow cones really stands out.”

With humble beginnings in South Florida, Johhny G’s journey as an artist and producer began in high school, when he first dove into the depths of music-making. Since then, he has grown into a multifaceted creator who doesn’t believe in genres or labels, just great sound and boundless creativity. “KRK was the first pair of speakers I ever owned,” Johhny G reflects. “I grew up using them, and they really helped me find my sound.”

Whether it’s through his viral hits or high-energy TikTok dance challenges, Johhny G continues to push musical boundaries. His upcoming single, “Human,” is set to drop on July 11, and you can bet it’s been fine-tuned on a pair of KRKs.

Johhny G has had a passion for music since he was a child, learning various instruments, singing in the school choir, and making beats in his college dorm room, which is where he discovered his love for mixing. Music has also been a way for him to bond with his dad, who he says, “worked a lot of Saturday nights and would be off playing music for hours. Music has always kept us connected.”

As someone with a passion for both creating and producing music, Johhny G is a unique artist with a strong ear for quality sound and diverse musical interests. Instead of trying to box himself into a certain category, Johhny G leaves it up to his music and creates based on feeling, regardless of what label it suits. With his KRKs by his side, Johhny G continues to create with endless possibilities for what comes next.

Check out more of what Johhny G is up to on his social channels @JohhnyG__.

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Marshmellow Skies state-of-the-art Dolby Atmos facility pioneers immersive music production with KRK

Recording studio provides immersive experience for music lovers with the help of KRK studio monitors and subwoofers

WESTLAKE VILLAGE, CA, JUNE 18, 2025 ― Marshmellow Skies Recording Studio, recognized for its professional production and development services, recently opened as a cutting-edge recording facility equipped with Dolby Atmos capabilities. Led by GRAMMY®-winning Record Producer and Engineer Ken Caillat, Chief Engineer Claus Trelby, and Business Manager Nitanee Paris, the studio aims to elevate the musical experience for both artists and listeners.

In response to the increasing demand for immersive audio, the studio underwent a comprehensive redesign. “We built a new studio from the ground up, designing the control room specifically for immersive audio mixing,” says Trelby. “Our innovative setup includes KRK V8 and V6 Studio Monitors and KRK Subwoofers, which together ensure reliability across all volume levels. This allows artists to be fully immersed in the dynamics of their music as they create.”

Key features of the new studio include a meticulously designed control room and a reference theater with a 7.1.4 configuration, which enables rich audio experiences during sessions. “We also have a 9.1.6 setup with the KRK V8s on the horizontal and the V6s above us, along with two subwoofer cabinets on a single channel. The KRKs are great and able to handle the demands of both low and high-volume levels,” emphasized Trelby. “Working in such a space inspires creativity and aids in the transition to immersive audio formats.”

Marshmellow Skies has already made significant waves in the industry with projects like Joni Mitchell’s award-winning “Live at Newport” and Jazz Guitarist David Becker’s “Gravitationally Bound.” The studio’s new immersive audio environment allows for seamless recording and mixing. “The KRK speakers are integral to achieving this dynamic sound quality, allowing for both subtle and powerful audio without compromising the integrity of the music,” says Caillat.

Caillat elaborated on the importance of the KRK speakers used in the setup, sharing that “they are affordable speakers and sound great, too. They are beneficial for Dolby®—light, airy, and transparent.” Trelby echoes his sentiments, adding: “The KRKs translate really well, and I trust them. They are flat enough that it’s easy to EQ them to any production curve that we would need to, and we don’t have to reach far to hit these curves.”

Subwoofers are also an important part of any immersive room. “A subwoofer must be tight. You can’t have any residual waves coming out of them,” explains Trelby. “That is why the KRK subs are so great; they give you what you want and deliver a full and immersive audio experience.”

“Feedback from listeners has been overwhelmingly positive,” adds Paris. “Many people have shown a lot of emotion while experiencing the immersive audio for the first time, sharing with us how it transformed how they will listen to music in the future.”

As the music industry continuously evolves, Marshmellow Skies Recording Studio is at the forefront, shaping the future of sound. For artists seeking to explore the endless possibilities of immersive audio, the studio represents an exciting milestone with high-quality gear, including KRK studio monitors and subwoofers. This commitment to quality has resulted in multiple successful immersive albums for the team, including five collaborative projects with the legendary Joni Mitchell.

Marshmellow Skies is a premier recording studio based in California, dedicated to pushing the boundaries of music production with Dolby Atmos. Led by a team of industry veterans, the studio is committed to delivering the highest quality in audio production and creative collaboration.

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KRK ROKIT and GoAux monitors revolutionize sound and creativity for TUMBAO

World Sounds Event & DJ Collective Founder Albert Piedrahita sets the stage for sonic innovation

MIAMI, MAY 19, 2025 ― During his rise as a DJ and Event Producer, Albert Piedrahita recognized a gap in the local nightlife that was waiting to be explored. He was inspired by his relocation to Los Angeles, which had a lively, thriving music scene and encouraged him to start TUMBAO. A homegrown, Miami-based DJ collective that brings people together through culture, dance, and sound from around the world, TUMBAO invites seasoned dancers and curious newcomers alike to join the rhythm and feel the joy of community. Driven by a vision to ignite a revolution in sound and culture, TUMBAO breaks away from the ordinary to redefine expectations and leave audiences hungry for more.

“I wanted to integrate music from around the world into one party; TUMBAO is a culmination of all those different sounds,” explains Piedrahita, who recently celebrated the Third Anniversary of this innovative DJ collective. “We’ve seen such a big success with our events because we honor all the diverse music and individuals under one roof, which makes for a unique dynamic. We’ve also taken the experience to different cities around the U.S. and the world. This year’s Miami anniversary event was especially important; it was the first time we had a major sponsor and our largest party to date.”

With such a lively event and uplifting experience as TUMBAO, Piedrahita needs reliable equipment to create powerful sound both in his studio and on the road. As a longtime KRK user, he recentlyacquired the brand’s new ROKIT Generation 5 Powered Studio Monitors and GoAux Portable Studio Monitors, which he uses along with hisexisting ROKIT 8 G3 Powered Studio Monitors. He has two setups at home that utilize his KRK gear: one for DJ practice and the other for making remixes and casual listening.

With the KRK speakers providing powerful sound, the atmosphere at the TUMBAO events is electric, inviting everyone present to dance and immerse themselves in the vibrant rhythms that echo throughout the venues. “KRK plays a big role in every stage of music setup; we use the speakers to create our edits in the studio, and the monitors are also present at the DJ booth,” shares Piedrahita.

Having developed familiarity with the features and capabilities of the KRK ROKITs, Piedrahita believes the monitors enhance all music production projects. “The ROKITs are trustworthy, and I love the sound response; they are affordable as well. You really can’t beat them; they go everywhere with me,” he shares. “When I was first learning to DJ, I visited a friend who had a pair of ROKITs, and I thought they sounded great. As I met more people in the industry, I noticed a lot of peers had similar setups. KRK monitors are great for collaborating and are terrific for consistency, which I appreciate.”

To complement his setup, Piedrahita recently incorporated the KRK GoAux for fast and efficient references. “I love the GoAux because I can easily swap between using them with Bluetooth or through the interface. I use them for my smaller, indoor DJ sets; they power a room easily,” he says. “They are also easy to transport, so I can take them with me if I want to work on the road. They are amazing portable speakers, and I love the power behind them.”

Having collaborated extensively with KRK over the years, Piedrahita has forged a strong relationship with the team. These connections have deepened through shared experiences and a commitment to common goals. “The KRK Miami team is like family to me, and I don’t say that lightly,” he adds. “When I first told Cesar [Acevedo, Director of Artist Relations — U.S. Hispanic and Latin America, Gibson] about TUMBAO, he took the time to come out and see what the collective is all about and was inspired by what I was doing. After that, I became part of the team, representing KRK as a Latino and a DJ.”

TUMBAO draws inspiration from the Afro-Latin roots of late Cuban legend Celia Cruz, who popularized the word tumbao, which refers to one’s inner rhythm or groove. With TUMBAO’s sound influenced by reggaeton, dembow, dancehall, salsa, afro beats, and more, Piedrahita is excited to see the event continue to unite people of diverse cultures and backgrounds. In addition to its annual mecca to its home base in Miami, TUMBAO also makes regular rotations to New York, Los Angeles, Las Vegas, Chicago, San Juan, Mexico City, and Medellĺn.

More details about Tumbao’s schedule can be found on the group’s Instagram page: instagram.com/tamotumbao/.

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Miami producer redefines Latin music with KRK’s signature sound

Lauro creates unforgettable collaborations with brand’s ROKIT studio monitors and subwoofer

MIAMI, APRIL 15, 2025 ― Renowned Miami-based producer and songwriter Laureano “Lauro” Pardo is making waves in the music industry with his stellar portfolio, which boasts collaborations with some of the biggest names in Latin music, including Arcangel, Myke Towers, Fer Vazquez, and Flor Alvarez. With multiple nominations for GRAMMY® and Latin GRAMMY® Awards and accolades featuring two-time RIAA Gold and 10-time RIAA Platinum certifications, Lauro’s contributions to music are evident.

Lauro is a passionate creator who has cultivated his unique sound. From the early days of experimenting with music, Lauro’s journey began by collaborating with local bands, which allowed him to hone his craft. “Over time, one of those artists achieved great success, earning awards both nationally and internationally,” he shares. “Thanks to that experience, I managed to come to the United States and fully immerse myself in the music industry.” Lauro’s career, now flourishing, is rooted in a love for sound that he believes has been amplified by his choice of gear.

Equipped with KRK ROKIT 5 Generation 4 Studio Monitors paired with a powerful 10-inch KRK Subwoofer, Lauro explains, “As my studio is not very large, I am very satisfied with the sound I have achieved using my KRK gear. Despite the size, the KRK system fits perfectly in my space and makes me happy. What I like most about the KRK system is that it sounds clean and provides the right amount of sub-bass I need,” he says. “It’s a sound I’m familiar with because it’s the same one I started my career with, so I feel very comfortable.”

This familiarity dates back to Lauro’s formative years. “When I started producing, I watched many tutorials on YouTube and noticed they used KRK monitors,” he says. “One day, at a local music outlet, I came across a pair of KRK monitors and tested them for myself. That was my first experience with the brand, and I have never stopped using it.”

With a reputation for delivering high-quality sound regardless of the environment, KRK monitors and subwoofers have become indispensable to Lauro’s production toolkit. “I always use KRK with all the projects I produce in my studio,” he adds. “Every time I’m asked for a backline for a session, I choose KRK because I know the brand consistently delivers reliable results. The gear has been a great solution for me. The monitors and subwoofers sound good anywhere, and I always trust that the audio will be consistent and true to what I need.”

Looking ahead, Lauro is eager to explore new possibilities with KRK. “My plan now is to try the GoAux Portable Monitors for spontaneous sessions; I want to always have them in the car, ready and prepared for any opportunity that arises,” he shares. Lauro firmly believes that KRK is more than just a brand. “KRK is part of the global musical legacy that has shaped the industry. If you are a producer seeking powerful sound and well-defined bass, there is no better option than KRK. There is no comparison.”

Lauro is an acclaimed Miami-based music producer and songwriter known for his innovative sound and collaborations with top artists in the industry. With a commitment to excellence and a passion for music, he continues to define the sound of contemporary Latin music.

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Top Track Studios unleashes sound innovation with KRK

Studio’s Owner and Lead Engineer, Gibran Sponchiado, elevates Nashville’s music experience with GoAux Portable Studio Monitors

NASHVILLE, MARCH 31, 2025 ― Now in its fifth year, Top Track Studios has been thriving as one of Music City’s prime recording studios. Designed to enhance the city’s evolving sound, the facility has been acoustically set up with creativity, comfort, and elegance in mind. It boasts a wide selection of top audio equipment, from the well-known classic pieces found in all major studios to the newest technologies available today. Additionally, Top Track Studios prides itself on its commitment to service, ensuring that it respects a musician’s artistry by honoring their needs and vision.

“We are heavy on analog processing here at Top Track,” says Studio Owner, CEO, and Lead Engineer Gibran Sponchiado. “Our amazing outboard equipment and microphone collection make us passionate about the type of work we do. Services at the studio include live tracking of full bands; vocal recording and production; mixing; producing solo artists; and recording ADR and voice-over.”

To support this vast array of projects at Top Track, Sponchiado relies on a multi-speaker setup, which features a pair of KRK GoAux 4 Portable Studio Monitors for referencing in his control room, as well as creating seamless communication with remote collaborators. Notably, KRK’s parent company, Gibson, has recorded promotional videos for the new Les Paul Studio Guitars at Top Track.

“The KRK GoAux sound great and have balanced frequency response, despite the small size,” says Sponchiado. “In a studio, you always need a speaker that can handle loud sounds with extra headroom to avoid distortion on loud transients. When I first sought a small set of speakers for the studio, a friend of mine suggested trying out the GoAux. I bought myself a pair, and they are a great addition to Top Track’s setup.”

Sponchiado goes on to explain that his team also relies on the GoAux speakers for sessions with remote clients. “If we are working with a producer in California who wants to direct the recording sessions in real-time, it’s important to have our client’s feed in an alternative set of speakers in order to separate the communication from the actual session material.”

Sponchiado also admires the sleek design and modern aesthetics of the KRK GoAux monitors, finding their appearance both appealing and distinctive. “The GoAux matches the vision of the studio and goes great with the wooden elements we have throughout the space,” he adds. “We want to make art here at Top Track, and it is important to have speakers that make an impact on the artists and people who come here, both visually and auditorily. The GoAux speakers are equipped with Bluetooth® capabilities, which allow us to quickly let clients play some of their music from their phones or laptops without having to hook up anything physically.”

A devoted audio enthusiast and true maestro of analog gear, Sponchiado blends his wealth of audio expertise with his passion for music and has forged a reputation for excellence over his extensive 20-year career. As a highly skilled Brazilian Producer and Recording/Mixing Engineer, Sponchiado also specializes in serving the region’s Latin communities, bringing a unique cultural perspective and deep understanding of diverse musical styles to his work. Artists looking to elevate their sound will ask to collaborate with Sponchiado because of his commitment to quality and creativity.

Sponchiado got his start as an audio engineer in 2004. He earned a bachelor’s in music education from Universidade Estadual do Rio Grande do Sul (UERGS) in Brazil in 2008 and an MFA in recording arts and technologies from Middle Tennessee State University (MTSU) in 2016. Some of his past clients include R&B artist Jeremih, Pedro Capó (Sony Music), Rome Ramirez, Brittney Spencer (Elektra Entertainment), Finesse2tymes (Atlantic Records), rapper Rocko, actress Ariel Winter, and actors Luke Benward and Chris Mason. Record labels Top Track worked for include Sony Music, Universal Music, Warner Music, Atlantic Records, and 300 Entertainment, among others. He’s also done ADR and voiceover sessions for production companies such as Monster Factory (Resident Evil Franchise) and Wolf Studios (Doctor Who).

Today, Sponchiado approaches every session with a commitment to precision and quality that ensures each project not only meets but exceeds expectations, making him an asset in the world of sound and for Top Track Studios clients.

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Los Angeles’ iconic Sound Factory installs custom mains with KRK and legendary Acoustician George Augspurger

LOS ANGELES, MARCH 10, 2025 ― Originally opened in the early 1960s as Moonglow Records, The Sound Factory name was coined by Producer David Hassinger, who purchased the studio in 1969. A little over a decade later, the studio was sold to Sunset Sound Recorders’ owners Paul and Tutti Camarata, who ran the facility until it was sold in 2017. After 60 years of serving the music industry, LA’s Sound Factory boasts a history of working with some of the world’s greatest artists. Among these are Marvin Gaye, the Jackson 5, and Linda Ronstadt in the 60s and 70s; Sheryl Crow and Red Hot Chili Peppers at the turn of the century; Doja Cat, SZA, and Mark Ronson, as well as artists currently working with Sound Factory’s own record label.

In an effort to keep up with the changes in technology and musical styles, the studio’s current leadership sought to upgrade the space while still paying homage to its history. In doing so, they connected with George Augspurger to create new mains for the facility’s two recording studios. The legendary acoustician and speaker designer had previously designed aspects of the Sound Factory during its expansion in the 1970s, and his experience in the studio was a perfect complement to the upgrade. After designing the new custom mains, Augspurger worked in collaboration with Craig Hockenberry, Gibson Director of Product Development, Pro Audio,to have the speakers built. Augspurger’s expansive pro audio knowledge, coupled with Hockenberry’s expertise in designing and building Gibson’s KRK monitors, proved to be ideal for this unique project.

“After they had run the studio for about a year, [the present owners] asked me what would be involved in designing custom monitors for Studio A, the original room,” says Augspurger. “The room itself was one that I had designed, but it [now] had standard commercial monitors in it. So, using the components of the so-called ‘Augspurger monitor,’ we created a design for the room. Then, more recently, they wanted to upgrade the monitors in Studio B. The same design was physically able to be accommodated [in both rooms,] so we went ahead and [designed] the retrofit in Studio B as well.”

While the process was straightforward, designing, creating, and deploying Sound Factory’s new mains was a labor of love that evolved over three years. “The main thing [to consider] in designing a custom monitor is that you have the freedom to make the cabinet dimensions fit the space available,” adds Augspurger, with regards to the unique soffits from the original monitors. “I know how to design speaker cabinets, so that part was easy. The choice of components is done in cooperation with the owner, the people who will be using the speakers. This is the first installation I’ve done with KRK…and all I can tell you is there were absolutely no glitches, no problems. They delivered what I asked for.”

For Gibson/KRK’s role in the project, Hockenberry and his team set to work building the monitors to Augspurger’s specifications. “We worked with George on the monitors from the beginning, which was a real pleasure,” says Hockenberry. “We had the designs worked out by the second call with him, and we built both pairs in our prototype shop here in Nashville. Once we had George’s seal of approval on everything, we coordinated with Sound Factory Studio Manager Cameell Hanna to get the speakers sent to their new home in Hollywood, where George helped oversee the final installation.” 

Like nearly all of Augspurger’s prior speaker designs, the custom pairs of KRK mains at Sound Factory feature a wooden, high-frequency horn. “The actual speaker components, such as the high-frequency drivers and woofers, are standard commercial products,” he explains. “The woofers are made by TAD, the professional products division of Pioneer, which I have used in most of my custom installations for the past 20 years. The high-frequency driver, which is comprised of beryllium, is made in the U.S. by Radian.”

The connection between Augspurger and Gibson/KRK was not one of happenstance. Instead, it was the result of many conversations Hanna had with his friend and colleague Rae Vinton, who leads Entertainment Relations for Gibson LA. “I told Rae about the upgrade and working with George, and she immediately asked if we wanted to do something with KRK,” says Hanna. “We already collaborate a lot together, so I thought it would be perfect.”

For Hockenberry, it was a symbiotic relationship that evolved into an incredible project. “Sound Factory is an amazing space that has produced innumerable legendary hits from countless icons; that, combined with George’s status in the industry, really solidified our decision to move forward with this project,” he says. “KRK represents premium sonic quality, and these custom mains emphasize the capabilities of our engineering team to create solutions that compete with other high-end manufacturers. We are humbled that KRK is now a part of the Sound Factory legacy and the many creative masterpieces that will be coming out of those rooms.”

“The funny thing about this place, for better or worse, I’m still not sure which it is, is that everything here is completely custom, even the general ‘living’ spaces,” explains Hanna. “Every aspect of this place is unique, nothing is a standard size, including the speaker system, so it’s difficult when we want to change something. But we wanted to honor the custom nature of the facility with our upgrades, and working with George, Craig, Rae, and the entire Gibson/KRK team, we’ve been able to accomplish that.”

To watch a video interview with George Augspurger and Cameell Hanna click here.

KRK Systems

Dylan Newman amplifies artist development with KRK’s GoAux Portable and ROKIT 8 Generation Five Studio Monitors  

LOS ANGELES, FEBRUARY 11, 2025 ― Dylan Newman, Manager of Music and Talent at Nickelodeon and Artist Manager at NewManagement, is elevating his artist development strategy and audio production quality with KRK GoAux Portable Monitors and ROKIT 8 Generation Five Studio Monitors. With a rich history in artist discovery, development, and management, Dylan’s hands-on approach to audio finds perfect synergy with the KRK solutions, which are essential tools in his creative process.

Newman’s music journey began early, from self-taught drums and guitar to discovering his passion for music behind the scenes. Starting out as part of Purdue University’s Student Concert Committee, he quickly learned the ins and outs of concert promotion by working with high-profile acts like Luke Bryan and Macklemore. Newman’s exposure to A&R began with an internship at Sony Music, leading to roles at Columbia Records and Epic Records, where he was fortunate enough to contribute to projects for top artists like Travis Scott, Camila Cabello, and Future. “Artist development is in my blood,” says Newman, a value he extends to emerging talents like LOCS and PIAO at NewManagement and acts like Pressley Hosbach and Young Dylan at Nickelodeon’s music department.

Newman was first introduced to KRK by friends at Gibson, who gave him a first-hand look at KRK’s trusted performance in professional studios and artist setups. “When I first saw the GoAuxes, I recognized how the portability and minimal setup requirements made it easy to ensure audio quality from home to office or anywhere on the road,” he says. “They deliver the same natural and balanced frequency response that has become synonymous with the KRK name in a mobile-friendly package. Meanwhile, the ROKIT 8 Generation Five provides the precision and customization I need for mixing and refining audio to professional standards.”

Newman attributes much of his success to the sonic integrity that his KRK speakers provide. “I love my KRKs,” he continues. “They give my artists and me the clarity we need throughout the recording, mixing, and mastering stages. The GoAux speakers are portable yet powerful, fitting seamlessly into my busy schedule. The ROKIT 8 Generation Fives are my go-to for my home studio, allowing me to dig in and ensure top-quality production for my artists. In addition, the black and gold design is a staple in the industry; it’s become synonymous with quality.”

The KRK ROKIT Generation Five monitors are the most advanced in their class. Whether working on a chart-topping hit, a film score, or a personal project, the ROKITs provide the tools needed to capture every nuance of a user’s sound with astonishing clarity. The monitors’ onboard DSP technology provides three distinct Voicing Modes: Mix Mode, Create Mode, and Focus Mode, eliminating the need for separate sets of monitors for different tasks.

Newman’s dedication to sound is evident in his work at Nickelodeon’s music department, where he develops music for the brand’s record label, manages talent releases, and supports major events like the Kids’ Choice Awards. According to Newman, “Whether I’m listening to demos for Nickelodeon or refining LOCS’s latest tracks, KRK ensures that every sound detail is accurately represented. My partnership with KRK and Gibson has been essential in bringing quality audio to all my projects.”

For more updates on Dylan Newman’s latest work and upcoming projects, follow him on social media at @dylannewman_. His commitment to the music industry is not only in advancing his artists but also in inspiring the next generation of talent and future executives through mentorship and collaboration.

KRK Systems

Cult of Magic creates haunting performances with KRK GoAux

MILAN, JANUARY 29, 2025 ― Cult of Magic is an interdisciplinary artistic collective based in Milan, Italy, specializing in creating immersive performances that blend contemporary dance, music, and performance art into a unique, captivating experience. Known for its innovative approach to exploring profound themes through movement, sound, and light, the group often collaborates with prestigious European cultural institutions. 

The group was founded in 2017 by Composer and Director Francesco Sacco, along with Samira Cogliandro and Giada Vailati, who both choreograph and dance for the collective. The three founding members were later joined by Luca Pasquino, who is also a director and composer.

Cult of Magic’s recent project, “FEAR OF THE DARK – first study,” was performed with an immersive light and sound design, with the goal of heightening and enriching guests’ other senses during the show, which took place inside a former church in Venice. To elevate the musical aspect of their performance, the collective relied on KRK GoAux Portable Studio Monitors to ensure that every note and rhythm resonated beautifully.

Directed by Sacco, Vailati, and Pasquino, “FEAR OF THE DARK” was choreographed and performed by Vailati, while Sacco and Pasquino created the original score. “For this project, we needed a completely different audio system because of the natural reverb of the venue,” says Sacco. “We decided to use KRK speakers not just to compose the original score but also as the PA during the show. We used three pairs of GoAux monitors for the performance, which resulted in a punctual sound and avoided the rumble of a classic stereo sound system in a big space.”

With the GoAux, the team created an immersive atmosphere that captivated the audience. “After studying the church layout, we were able to easily integrate the KRK speakers into the space with four positioned towards the audience and two facing the apse,” adds Pasquino. “The GoAux allowed us to achieve a sound that was immersive and airy but also well-defined.”

Sacco and the members of the Cult of Magic collective consider the GoAux to be unique within its genre. The monitors’ design and capabilities resonate with Cult of Magic’s artistic visions, making the speakers a standout choice for the group’s creative endeavors.

“I found the GoAux to be very defined and sharp; the sound quality is impressive for smaller speakers,” says Sacco. “I have never found portable speakers with such a professional sound level. They also have great volume control despite their size, so that helped us to reach the exact result we wanted for the project. The GoAux are also super light and easy to carry around, which is critical when you have to move around in a city like Venice, with no possibility of transporting your gear by car.”  

With Bluetooth capabilities and an impressive array of features, the monitors offer a perfect blend of convenience and performance that make it an ideal choice when the group is on the go. “The Bluetooth connection works perfectly, even when we are using it with low frequencies; the speakers perform well and deliver a rich and full sound,” says Pasquino. “There’s no comparison to other portable Bluetooth speakers I’ve tried, both in terms of sound balance and definition. Moreover, these speakers allow me to mix music anywhere I want.”

Sacco has been a devoted user of KRK products for years, showcasing a deep familiarity and appreciation for the brand’s offerings. “I learned about KRK from other musicians and colleagues in the industry and have been using the gear for a while now,” he shares. “The first pair of monitors I owned were the KRK ROKITs, which I still use in my home studio today.” Pasquino is also well-acquainted with the brand. “KRK speakers were the first monitors I bought for making music productions,” he explains. “Since then, I have developed a very personal sound, partly because of those speakers, and I still have not replaced them.”

Looking ahead, Cult of Magic is eager to resume its creative momentum by integrating KRK gear into future projects. “All the music we compose for any Cult of Magic project is made on KRK monitors. We want to continue experimenting with spatialized sound using a large number of small speakers,” says Sacco.

The group is currently working on an electronic/techno album, using KRK for composing and mixing. The group also plans to incorporate KRK for its future performances and projects, such as the continuation of “FEAR OF THE DARK.” In the next few months, the group will bring the project to a further development phase that will include a cast of five performers, set design work, and a sound installation that will be inaugurated in Milan next May.